{"id":14827,"date":"2022-05-03T09:01:31","date_gmt":"2022-05-03T08:01:31","guid":{"rendered":"https:\/\/www.vccp.com\/?post_type=news&#038;p=14827"},"modified":"2022-05-03T09:01:31","modified_gmt":"2022-05-03T08:01:31","slug":"charles-vallance-in-campaign-only-connect","status":"publish","type":"news","link":"https:\/\/www.vccp.com\/uk\/news\/2022\/may\/charles-vallance-in-campaign-only-connect","title":{"rendered":"Charles Vallance in Campaign: Only Connect!"},"content":{"rendered":"<div class=\"lazyblock-two-column-text-quote-image-Yfkyh wp-block-lazyblock-two-column-text-quote-image\"><section class=\"fullwidth fullwidth--overflow \" data-aos=\"fade-up\">\r\n  <div class=\"container container--spaced-lg\">\r\n    \r\n    <div class=\"row\">\r\n      \r\n      <div class=\"col-md-6\">\r\n        <p dir=\"ltr\"><strong><em>Originally published in <a href=\"https:\/\/www.campaignlive.co.uk\/article\/connect\/1754246\">Campaign<\/a>.<\/em><\/strong><\/p>\n<p dir=\"ltr\">We live in a hyper-connected world and yet, in numerous ways, connection is becoming harder than ever.\u00a0<\/p>\n<p dir=\"ltr\">We travel to work in our own media bubbles and, certainly on the wide pavements of Victoria, weave our way between pedestrians watching their phones more closely than the way ahead.\u00a0<\/p>\n<p>Our attention spans are shrinking, our media habits fragmenting and our communities morphing from real to digital.\u00a0<\/p>\n<p dir=\"ltr\">As a species, we have an innate need to connect but, as an industry, we tend to prioritise content over connectivity. Far too many conversations about the content we create happen in isolation of, rather than in unison with, the business of how people will connect with it.\u00a0<\/p>\n<p dir=\"ltr\">Media and creative output are too often dislocated. Creative awards are too often allotted to work that has barely been seen or celebrated in the real world.\u00a0<\/p>\n<p dir=\"ltr\">This highlights an irony for an industry that sees itself as content-driven. Because, contrary to the received wisdom, content isn&#8217;t king. Connectivity is.\u00a0<\/p>\n<p dir=\"ltr\">This may sound heretical at first glance, surely it&#8217;s all about the work? Yes it is. But only in so much as the work connects people and gives them something to share. Otherwise, the effort is close to worthless.\u00a0<\/p>\n<p dir=\"ltr\">There&#8217;s little to be gained from making the best ad no-one ever sees or, if they do, have no desire to talk about. Hence my reference to EM Forster&#8217;s authorial homily in\u00a0<em>Howards End<\/em>; &#8220;Only connect! Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.&#8221;\u00a0<\/p>\n<p dir=\"ltr\">Connection is the opposite of isolation, and it is the lifeblood of brands. But we constantly face the competing forces of fragmentation. These are the modern beasts and monks of our trade, time-shifting, micro-casting, multi-screening and isolating what used to be shared and consumed collectively, in real time, by social groups (known as families) on single devices (known as tellies).\u00a0<\/p>\n<p dir=\"ltr\">Fear not, though. The future is better than the past.\u00a0<a href=\"https:\/\/www.campaignlive.co.uk\/article\/uk-adspend-hits-all-time-high-smashing-predictions-does-pride-fall\/1754266\" target=\"_blank\" rel=\"noopener\">Partly because levels of adspend have never been higher<\/a>, and partly because the ways we have to connect with audiences have never been more diverse or prolific.\u00a0<\/p>\n<div id=\"c502Ad\" class=\"commercialSlot\" data-location-code=\"C\" data-sizes=\"300x250\" data-google-query-id=\"CJyGubXswvcCFZe-UQod2zYIwQ\">\u00a0<\/div>        \r\n                \r\n  \t\t\t      <\/div>\r\n      \r\n      <div class=\"col-md-6\">\r\n    \t\t<p dir=\"ltr\">We can build connections that were simply not conceivable 10 years ago, we can create partnerships and activations, platforms and experiences, which are both more immersive and interactive than traditional media channels.\u00a0<\/p>\n<p dir=\"ltr\">Furthermore, traditional media is fighting back. Television is enjoying soaring demand, with better products, a more entrepreneurial business model, more destination programming and more appointments to view.\u00a0<\/p>\n<p dir=\"ltr\">Just as the Jeremiahs were predicting the demise of linear viewing, it is back in demand, precisely at the point that Netflix has suffered its first setback in years with a drop in subscribers prompting a 35% share price correction.\u00a0<\/p>\n<p dir=\"ltr\">And the possibility of it introducing an ad-funded model. A bit like, erm, linear TV.\u00a0<\/p>\n<p dir=\"ltr\">Put simply, there&#8217;s more content out there, on more platforms, that&#8217;s more accessible, of greater variety, of higher quality and available via more devices, more flexibly in more places on more occasions than ever before.\u00a0<\/p>\n<p dir=\"ltr\">This is not to suggest that quantity is inherently an advantage. To the contrary, one of the challenges that the content industry now faces is the sheer abundance of choice being produced (and attendant subscription costs).\u00a0<\/p>\n<p>There is a danger that this creates a replaceability spiral where the level of supply exceeds the strength of paid for demand.\u00a0<\/p>\n<p>Margaret Schlegel, one of the main characters in\u00a0<em>Howards End<\/em>, draws a similar conclusion, albeit about life in early 20th-century London: \u201cThe more people one knows, the easier it is to replace them.\u201d\u00a0<\/p>\n<p dir=\"ltr\">The same applies to brands. Which is why the greatest creative challenge for our industry isn&#8217;t how we add to the weight of content out there, but how we help our brands connect with it.\u00a0<\/p>\n<p dir=\"ltr\"><em>Charles Vallance is chairman and founding partner of VCCP<\/em><\/p>  \t\t<\/div>\r\n  \t\t\r\n    <\/div>\r\n    \r\n  <\/div>\r\n<\/section><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":57,"template":"","categories":[191],"class_list":["post-14827","news","type-news","status-publish","hentry","category-agency-news"],"acf":{"author":{"ID":930,"post_author":"2","post_date":"2020-07-02 12:04:34","post_date_gmt":"2020-07-02 11:04:34","post_content":"","post_title":"Charles Vallance","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"charles-vallance","to_ping":"","pinged":"","post_modified":"2026-01-19 12:22:45","post_modified_gmt":"2026-01-19 12:22:45","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.vccp.com\/?post_type=people&#038;p=930","menu_order":0,"post_type":"people","post_mime_type":"","comment_count":"0","filter":"raw"},"capability_ids":[],"client_id":"","hero_video":"","hero_image":{"ID":14650,"id":14650,"title":"Charles V website","filename":"Charles-V-website.png","filesize":2179106,"url":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website.png","link":"https:\/\/www.vccp.com\/uk\/news\/2022\/feb\/whats-the-point-of-the-proof-point\/attachment\/charles-v-website","alt":"","author":"57","description":"","caption":"","name":"charles-v-website","status":"inherit","uploaded_to":14649,"date":"2022-02-28 09:02:25","modified":"2022-02-28 09:02:25","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.vccp.com\/uk\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-300x169.png","medium-width":300,"medium-height":169,"medium_large":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-768x432.png","medium_large-width":640,"medium_large-height":360,"large":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-1024x576.png","large-width":640,"large-height":360,"1536x1536":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-1536x864.png","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website.png","2048x2048-width":1920,"2048x2048-height":1080,"Header":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-1920x720.png","Header-width":1920,"Header-height":720,"Wide":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-1920x960.png","Wide-width":1920,"Wide-height":960,"Square":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-768x768.png","Square-width":768,"Square-height":768,"Tall":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-307x615.png","Tall-width":307,"Tall-height":615,"Mobile":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-768x960.png","Mobile-width":768,"Mobile-height":960,"Facebook":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-1200x630.png","Facebook-width":1200,"Facebook-height":630,"Grid-Item-Square":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-768x768.png","Grid-Item-Square-width":768,"Grid-Item-Square-height":768,"Grid-Item-Wide":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-768x384.png","Grid-Item-Wide-width":768,"Grid-Item-Wide-height":384,"Grid-Item-Tall":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website-307x615.png","Grid-Item-Tall-width":307,"Grid-Item-Tall-height":615}},"meta-title":"Charles Vallance in Campaign: Only Connect!","meta-description":"Why it's time for the industry to stop prioritising content over connectivity.","social-media-image":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2022\/02\/Charles-V-website.png","news_id":"191","related_content_title":"You may also like","relateditems":[{"relateditem":{"ID":14368,"post_author":"57","post_date":"2021-12-06 15:58:18","post_date_gmt":"2021-12-06 15:58:18","post_content":"<!-- wp:lazyblock\/two-column-text-quote-image {\"text-left\":\"\\u003cp\\u003e\\u003cem\\u003eOriginally published in \\u003cstrong\\u003eCampaign\\u003c\\\/strong\\u003e, VCCP's Founding Partner and Chairman \\u003cstrong\\u003eCharles Vallance\\u003c\\\/strong\\u003e unpacks the enforced brevity of social media means people are getting to the point faster, why brands must sit up and pay attention or fail to win that of their consumers.\\u003c\\\/em\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eLife is getting pointier. And I'm not just saying that because my third\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003evaccination beckons. In most aspects of culture, commerce and\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ecommunication, success increasingly depends on getting to the point sooner,\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003erather than later.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eSocial media is inevitably one of the drivers of pointiness. We are learning to\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eexpress ourselves with far greater brevity and spontaneity. Acronyms\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eabound, pictures are displacing words. Limits apply on numerous\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003edimensions, from the number of characters allowed (280 for Twitter) to the\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eduration of a post (60 seconds for Snapchat). TikTok, Insta and Snap are all\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003enamed to sound urgent and fleeting.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eThere is a general consensus that multi-tasking and multi-screening have fed\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethe rise of CPA (constant partial attention - keep up at the back, please). This\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ein turn is likely to have reduced our powers of concentration. A study by\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eMicrosoft in Canada found that average concentration spans had fallen from\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e12 to 8 seconds between the turn of the century and 2015.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eWhere technology and social media lead, culture tends to follow. And so we\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eshould not be surprised to learn that the world of literature is not immune to\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethe forces of pointiness. According to The Times (22 Nov), researchers have\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003efound that the average sentence in British fiction has dropped from 12.73\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ewords to 11.87 words since the early 90's. Sentence complexity has also\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ereduced, with a 25% fall in the use of semi-colons. There does, however,\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eappear to be one trend in fiction which might put it ahead of the curve,\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003enamely a significant drop in the use of exclamations marks. Let's hope this\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003etranslates over to social media!!!! LOL!!!\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u00a0\\u003c\\\/p\\u003e\",\"text-right\":\"\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eThe lesson is very simple. It's getting ever more difficult to win people's\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eattention. Therefore, when you do, you must accelerate to your point rather\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethan drift towards a generalised resolution. The jeopardy of not doing so was\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ebrought home to me by a very senior Client who'd fired his last agency even\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethough they'd done some familiar and well-known work. The trouble with this\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ework, and the reason for the move of agencies, was that it didn't get to the \\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003epoint. People had seen it, but didn't know what to do with it. It lacked a\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ecompelling point of view about what to do next. It lacked intent.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eSo the pointiness agenda can be a very stern taskmaster. We all know that\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eour communication should be distilled and our strategies concise. However,\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003econcentration and compression are easier said than done. To paraphrase\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eGeorge Orwell's paraphrase of Blaise Pascal, \\u0022I would have written a shorter\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eletter, but didn't have the time\\u0022.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ePruning and cutting back are laborious processes. They can also be fraught\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ewith politics. The fight for brevity and compression can sometimes leave\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003epeople feeling left out, as it requires a certain ruthlessness. Sacrifices have\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eto be made and metaphorical toes trodden on. It is easy to complicate and\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003edifficult to simplify, but many people prefer the easier path.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eDescribing someone as 'singular' is seldom a great compliment. It suggests\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethey lack nuance and depth. But for brands, being singular is the highest\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003epossible accolade. Think of any brand you admire and I bet it is shot through\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ewith singularity. Singularity of identity, purpose, values, design, tone of voice\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eand message are the hallmarks of brand pre-eminence, whatever the\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ecategory, whatever the field - from Chanel to Cadbury, from Apple to Ikea,\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003efrom Oatly and O2 to Patek and Patagonia.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eI wrote about the importance of your brand having a 'thing' exactly a year\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eago. My Christmas present this year is to recommend that your thing also\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ehas a point. In his magnificent new publication Look Out, Orlando Wood talks\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eabout the importance of attracting right brain, 'broadbeam' attention. He also\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003echronicles the decline in advertising of the very features that win such\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eattention; things like wordplay, characters, dialogue, distinctive accents and a\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eclear sense of place.\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eThese are all fantastic ingredients for pointy, thingy communication. And yet\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003etoo many campaigns are actively failing to use them, a problem which is\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ereflected in the sustained decline of creative effectiveness as observed by\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003ethe IPA. Fear not, however, because at this time of good cheer the answer is\\u003c\\\/span\\u003e \\u003cspan style=\\u0022font-weight: 400\\u0022\\u003esimple. If your brand currently lacks bite, then, to quote Alvin and the\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e\\u00a0\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003eChipmunks, it's possible that all it wants for Christmas is some new front\\u003c\\\/span\\u003e\\u003cspan style=\\u0022font-weight: 400\\u0022\\u003e teeth. On which note I wish you all a very Merry Christmas and a Happy, Thingy, Pointy New Year.\\u00a0\\u003c\\\/span\\u003e\\u003c\\\/p\\u003e\",\"quote\":\"The lesson is very simple. It's getting ever more difficult to win people's\\u00a0\\nattention.\",\"blockId\":\"761IP\",\"blockUniqueClass\":\"lazyblock-two-column-text-quote-image-761IP\"} \/-->","post_title":"Charles Vallance 'Getting to the Point'","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"charles-vallance-getting-to-the-point","to_ping":"","pinged":"","post_modified":"2021-12-06 15:58:18","post_modified_gmt":"2021-12-06 15:58:18","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.vccp.com\/?post_type=news&#038;p=14368","menu_order":0,"post_type":"news","post_mime_type":"","comment_count":"0","filter":"raw"}},{"relateditem":{"ID":14806,"post_author":"57","post_date":"2022-04-25 18:42:56","post_date_gmt":"2022-04-25 17:42:56","post_content":"<!-- wp:lazyblock\/two-column-text-quote-image {\"text-left\":\"\\u003cp\\u003e\\u003cstrong\\u003eWhat\\u2019s holding agencies back from making greater progress on diversity? IPA president and VCCP international chairman Julian Douglas argues agencies must double down on improving access into the industry.\\u003c\\\/strong\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cem\\u003eOriginally published in\\u00a0The Drum.\\u003c\\\/em\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003eIt\\u2019s 12 months on since the start of my IPA presidency and, despite a few setbacks, things are looking up for the ad industry in many ways. The lockdowns of 2021 are behind us, ad spend has bounced back, and we\\u2019re able to go to the office or work from home as we please. Even conferences and awards have made a welcome return, from SXSW to the upcoming Cannes Festival.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eYet there is one dark cloud that still lingers over the blue horizon: the talent crunch. Like many industries, the upheaval of the past two years has caused many people in advertising to reassess their priorities and value exchange with work. Much has been written about the great resignation and the resultant talent exodus. With the competition for new talent hotter than ever in all creative industries, is it time for advertising to ask itself whether it has an image problem? And that is exactly what we did at the most recent IPA Council meeting debate, the unfolding of which was fascinating.\\u003c\\\/p\\u003e\\n\\u003ch2\\u003e\\u003cstrong\\u003eAccess\\u003c\\\/strong\\u003e\\u003c\\\/h2\\u003e\\n\\u003cp\\u003eThe Chatham House Rule, which we observe in all IPA Council meetings, precludes me from sharing who the speakers were (despite one of them sharing a pic on LinkedIn). The proposer made the sound argument that in an era where we are ranked as the UK\\u2019s least-trusted profession, people pay to avoid ads in the media they consume, and with slow progress against the targets we set ourselves in terms of diversity, we do have an image problem. Ain\\u2019t that the truth, and the motion was indeed carried.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eHowever, there was a significant point made by the opposer that almost swung the vote. That clients spent over \\u00a323bn on advertising in 2020 suggests there isn\\u2019t an image problem. And most agencies report they have no shortage of people applying for their entry-level roles, with many oversubscribed several times over. But there is a lack of diversity among those applicants they receive. So maybe the issue isn\\u2019t an image problem: it is an access problem.\\u003c\\\/p\\u003e\",\"text-right\":\"\\u003cp\\u003eToday we understand the need to attract people from all backgrounds with all skill capabilities. This means we need to look wider, beyond the expected places and channels, to find fresh sources of untapped talent. It is heartening to see brilliant initiatives continuing to thrive throughout the industry, from Brooklyn Brothers\\u2019 Night School to Brixton Finishing School to the long-standing Ideas Foundation \\u2013 each one tackling head-on the lack of diversity and social mobility in adland. At VCCP we are setting up an academy in Stoke to raise awareness of advertising as a viable career opportunity by inspiring, training and hiring local young people in their home town.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eLetting fresh talent know about the opportunities that exist right across the UK will be the focus of the 10X-ed Advertising Unlocked, which returns in November 2022 \\u2013 more to follow on this later in the year.\\u003c\\\/p\\u003e\\n\\u003ch2\\u003e\\u003cstrong\\u003eRetention\\u003c\\\/strong\\u003e\\u003c\\\/h2\\u003e\\n\\u003cp\\u003eBut let\\u2019s not focus only on access and recruitment. Perhaps more important is the experience that new joiners have once they join our industry. There is no point in working hard to attract fresh talent from underrepresented groups if they do not feel included once they are through the door, whether physical or virtual.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eA great starting place is the brilliant \\u2018Belonging\\u2019 by Sue Unerman, Kathryn Jacob and Mark Edwards, an instruction manual on how to build a better workplace where everyone feels like they belong, and The IPA Talent Conference on May 4 will build on this much-recommended read. We\\u2019ll be providing tangible, actionable initiatives to tackle wellbeing issues, nurture talent to go on to be our future leaders and celebrate the inspirational people paving the way who have made the final 2022 IPA iList.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eIn the spirit of 10X, we have to move things on by leaps, not bounds, this year. The industry is getting its mojo back; it\\u2019s an exciting and prosperous time, full of new creativity and opportunity, but it\\u2019s also time we direct the talents we collectively have into tackling the talent issue and making those outside our brilliant industry recognize and realize its true potential.\\u003c\\\/p\\u003e\\n\\u003cp\\u003e\\u003cstrong\\u003eJulian Douglas is president of the IPA and international chairman of VCCP.\\u003c\\\/strong\\u003e\\u003c\\\/p\\u003e\",\"blockId\":\"Z2w98AW\",\"blockUniqueClass\":\"lazyblock-two-column-text-quote-image-Z2w98AW\"} \/-->","post_title":"Dougie in The Drum: Access in advertising","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"advertisings-image-problem-is-really-about-access","to_ping":"","pinged":"","post_modified":"2022-04-25 18:45:19","post_modified_gmt":"2022-04-25 17:45:19","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.vccp.com\/?post_type=news&#038;p=14806","menu_order":0,"post_type":"news","post_mime_type":"","comment_count":"0","filter":"raw"}},{"relateditem":{"ID":13791,"post_author":"54","post_date":"2021-07-23 19:03:48","post_date_gmt":"2021-07-23 18:03:48","post_content":"<!-- wp:lazyblock\/text-full-width {\"text\":\"\\u003cp\\u003eNearly 15 years after the invention of the smartphone, we may have reached our peak screen threshold, writes \\u003cstrong\\u003eCharles Vallance\\u00a0\\u003c\\\/strong\\u003ein\\u00a0\\u003cstrong\\u003eWARC.\\u003c\\\/strong\\u003e\\u003c\\\/p\\u003e\\n\\u003cp\\u003eThe ad industry is famously sensitive to downturns. As soon as sales begin to drop, one of the quickest (if short-sighted) economies a finance director can make is to raid the marketing budget. The only consolation for ad folk is that the advertising sector is also one of the first beneficiaries of an upturn.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eThe pandemic has proved no exception to the down\\\/up pattern of advertising in an economic cycle (though hopefully the pattern is rather more V-shaped than usual). There is pent-up demand out there, and advertisers are queuing up to harness it. Media inflation is back, and so are the big, celebratory ad campaigns.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eGiven this sense of an upswing, it is perhaps worth asking what, if anything, has changed for advertising since the start of the pandemic? It's a massive question, and worthy of several articles. But, to cut a very, very long story short, the advertising fundamentals will endure. Bill Bernbach's theory of 'unchanging man' will still apply. Advertising will still be addressing the same primary motivations: our desire to care, to make the right choices and thus to belong, succeed and be admired.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eThat said, I think we'll look back on the early part of this decade and notice one very significant change in the nature of communication. And it is a change that has undoubtedly been accelerated by the pandemic. This change is not about the logistics of our material lives, whether we'll commute less, side hustle more, or all live in Cornwall. Arguably it is more fundamental. Because it is a change in the way we appreciate the world and consume media. A change which has seen a pronounced shift in the balance of power between our viewing lives and our listening lives.\\u003c\\\/p\\u003e\\n\\u003ch3\\u003e\\u003cstrong\\u003eThe rise of the ear\\u003c\\\/strong\\u003e\\u003c\\\/h3\\u003e\\n\\u003cp\\u003eThe eye so dominates perception that it is easy to overlook the dramatic rise of audio culture. In saying this, I am not for a moment claiming that the 'rise of the ear' is somehow displacing or diminishing the way we see and view things. The eye will remain all-powerful. Nevertheless, over recent years the ear has made some remarkable advances.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eConsider, for a moment, life before Spotify and streaming music. Before podcasts. Before smart speakers. Before Alexa. Before Siri. Before Google voice. Before audio-books. Before Headspace. Before airPods, earbuds, Beats or Sonos. Before, TuneIn, Radioplayer, myTuner et al.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eIn many ways, these are merely warm up acts for the audio ascendancy. TikTok has spearheaded the rise of sound in the formally visual and verbal world of social media. Clubhouse, Locker Room, Spatial and, most recently, Twitter Spaces are building on this success. Facebook is following with a suite of audio services, whilst Slack will soon be introducing audio features to its project management software. Our ears have never had it so good.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eThere are many explanations for the audio resurgence, some social, some technological, some cultural. The simplest explanation of all is that, nearly 15 years after the invention of the smartphone, we may have reached our peak screen threshold. Indeed, due to so much remote working over the last year, we may have actually exceeded it. Listening is less mentally demanding than looking at a screen, our minds are freer and we are spared the visual pressure, the 'perfection fatigue' that has been stoked by social media. Everyone has a face for radio.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eHistorically, the ad industry has focused on brand imagery, how a brand looks, how it presents itself, its aesthetics and identity. These remain vital ingredients for success. But success in the future will demand more than these visual elements. Leading brands will also learn how to compete when our eyes are shut or not looking. A brand's soundscape and tone of voice will become increasingly important.\\u003c\\\/p\\u003e\\n\\u003cp\\u003eAudio-branding is already something of a buzzword in adland. But we have a long way to go before we can hear brands as clearly as we can picture them. For advertisers and their agencies this is the next frontier. Ear we go.\\u003c\\\/p\\u003e\",\"blockId\":\"Z1uofK1\",\"blockUniqueClass\":\"lazyblock-text-full-width-Z1uofK1\"} \/-->","post_title":"Ear we go: The audio-branding opportunity","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ear-we-go-the-audio-branding-opportunity","to_ping":"","pinged":"","post_modified":"2021-07-23 19:03:49","post_modified_gmt":"2021-07-23 18:03:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.vccp.com\/?post_type=news&#038;p=13791","menu_order":0,"post_type":"news","post_mime_type":"","comment_count":"0","filter":"raw"}}],"hide_related_items":[],"visible_on_home_page":["1"],"websites_to_publish":[]},"_links":{"self":[{"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/news\/14827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/types\/news"}],"author":[{"embeddable":true,"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/users\/57"}],"wp:attachment":[{"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/media?parent=14827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.vccp.com\/uk\/wp-json\/wp\/v2\/categories?post=14827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}