{"id":10860,"date":"2015-09-29T14:25:00","date_gmt":"2015-09-29T13:25:00","guid":{"rendered":"https:\/\/www.vccp.com\/?post_type=news&#038;p=10860"},"modified":"2020-08-17T15:40:27","modified_gmt":"2020-08-17T14:40:27","slug":"the-tyranny-of-targeting","status":"publish","type":"news","link":"https:\/\/www.vccp.com\/uk\/news\/2015\/sep\/the-tyranny-of-targeting","title":{"rendered":"The Tyranny of Targeting"},"content":{"rendered":"<div class=\"lazyblock-two-column-text-quote-image-1lzoI7 wp-block-lazyblock-two-column-text-quote-image\"><section class=\"fullwidth fullwidth--overflow \" data-aos=\"fade-up\">\r\n  <div class=\"container container--spaced-lg\">\r\n    \r\n    <div class=\"row\">\r\n      \r\n      <div class=\"col-md-6\">\r\n                \r\n                <blockquote class=\"blockquote blockquote--md-right\">\r\n          People say I have a great skill at putting myself in the shoes of the consumer. That\u2019s bullshit. JK Rowling was asked what aged child she had in mind when writing Harry Potter, and her reply was that she wrote it for herself. That\u2019s what you do. As a creative you should just be writing for yourself.                  <\/blockquote>\r\n                \r\n  \t\t\t      <\/div>\r\n      \r\n      <div class=\"col-md-6\">\r\n    \t\t<p>These are the words of John Hegarty, quoted in a book I co-authored a couple of years ago. I have a lot of sympathy with what he\u2019s saying. From the moment I started working in advertising I have been suspicious of targeting or, more particularly, the concept of the target audience. Not because it\u2019s wrong \u2013 clearly we need to target our media investment and to do this efficiently we need to define an audience. The reason for my misgiving is that, too often, the demands of targeting can become a kind of tyranny, especially when applied to creative work. It can lead to narrow judgments and tunnel vision \u2013 will this appeal to retired people?, will this appeal to young people?, will this appeal to thirty-somethings? etc etc. Worse still, it can lead to the creative product being judged against spuriously named \u201csegments\u201d such as \u2018Mumtrepreneurs\u2019, \u2018Time Starved Troubadors\u2019, \u2018Co-habiting Commmuters\u2019, \u2018Discounting Deborahs\u2019. You get the idea.<\/p>\n<p>The problem with all this targeting is that the greatest ideas seldom segment, they tend to unite.\u00a0 Honda\u2019s \u2018Hate something, Change Something\u2019 was presumably targeted at potential diesel buyers, but I doubt that had much to do with its creation. Indeed, you might argue that too much of a focus on the \u2018Diesel Deliberator\u2019 segment could have led to something much more solemn and sensible.<\/p>  \t\t<\/div>\r\n  \t\t\r\n    <\/div>\r\n    \r\n  <\/div>\r\n<\/section><\/div>\n\n<div class=\"lazyblock-two-column-text-quote-image-zFxBp wp-block-lazyblock-two-column-text-quote-image\"><section class=\"fullwidth fullwidth--overflow \" data-aos=\"fade-up\">\r\n  <div class=\"container container--spaced-lg\">\r\n    \r\n    <div class=\"row\">\r\n      \r\n      <div class=\"col-md-6\">\r\n        <p>Another reason that targeting can hold you back creatively is that often the best ideas come from seeing what your target can\u2019t or doesn\u2019t see. The best work in the Real Beauty campaign for Dove tends to involve challenging the preconceptions of its audience, particularly in terms of self-image. This kind of thinking would have been precluded by conventional target audience boundary setting.\u00a0 Conversely, over-literal filtering by target tends to lead to some of the dreariest ads. For instance, a huge amount of work targeted at family mealtimes is horribly stereotypical. Similarly, many car advertisers seem to have a fixed view of their urban audience, which tends to involve zany twenty-somethings zipping around town guzzling cappuccinos whilst strumming guitars in Eurotown piazzas, or being chased by gratuitous special effects. Or both. As a result, they all blur into one another. Another problem with targeting is that it tends to prescribe what a particular audience does or doesn\u2019t know, particularly with regard to cultural capital. Just because a group of people, for instance, don\u2019t know what an emoji is doesn\u2019t mean your brand shouldn\u2019t introduce the idea to them.\u00a0 This is how an advertiser can gain kudos and memorability, whilst also avoiding condescension.<\/p>        \r\n                \r\n  \t\t\t      <\/div>\r\n      \r\n      <div class=\"col-md-6\">\r\n    \t\t<p>From a media buying perspective the disciplines of targeting obviously play a vital role in achieving efficiency and measuring impact. But even here, you could argue that targeting has become too prescriptive and mechanistic. We have an ability to measure, to quantify and fine-tune media spend in a way that would have been inconceivable only a few years ago, but this can lead to a form of media myopia. We can be so granular in our analysis of reach against a primary target that, potentially, we can forget they aren\u2019t our only target. Ad campaigns, as a result, can become a kind private conversation between a core audience and an advertiser. But advertising isn\u2019t supposed to be private. It\u2019s supposed to be overheard, shared, stumbled across and discovered.<\/p>\n<p>The desirability of a message and a brand is massively influenced by who else is consuming it \u2013 and the knowledge that they are doing so. This is why so many fashion brands use relatively indiscriminate media like posters and bus-sides. They want to be overseen. They court \u201cwastage\u201d because they understand that the medium can also be the message \u2013 and much of the power of a message lies in it being overheard. Modern media analytics is in danger of reducing the medium back to being the medium alone. If we continue down this path we may end up on a fool\u2019s errand, mistaking accuracy for effectiveness and precision for persuasion.<\/p>  \t\t<\/div>\r\n  \t\t\r\n    <\/div>\r\n    \r\n  <\/div>\r\n<\/section><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"template":"","categories":[191],"class_list":["post-10860","news","type-news","status-publish","hentry","category-agency-news"],"acf":{"author":{"ID":930,"post_author":"2","post_date":"2020-07-02 12:04:34","post_date_gmt":"2020-07-02 11:04:34","post_content":"","post_title":"Charles Vallance","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"charles-vallance","to_ping":"","pinged":"","post_modified":"2026-01-19 12:22:45","post_modified_gmt":"2026-01-19 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18:02:12","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.vccp.com\/uk\/wp-includes\/images\/media\/default.png","width":1196,"height":628,"sizes":{"thumbnail":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-300x158.jpg","medium-width":300,"medium-height":158,"medium_large":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-768x403.jpg","medium_large-width":640,"medium_large-height":336,"large":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-1024x538.jpg","large-width":640,"large-height":336,"1536x1536":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1.jpg","1536x1536-width":1196,"1536x1536-height":628,"2048x2048":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1.jpg","2048x2048-width":1196,"2048x2048-height":628,"Header":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1.jpg","Header-width":1196,"Header-height":628,"Wide":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1.jpg","Wide-width":1196,"Wide-height":628,"Square":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-1152x628.jpg","Square-width":768,"Square-height":419,"Tall":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-768x628.jpg","Tall-width":307,"Tall-height":251,"Mobile":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-768x628.jpg","Mobile-width":768,"Mobile-height":628,"Facebook":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1.jpg","Facebook-width":1196,"Facebook-height":628,"Grid-Item-Square":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-768x628.jpg","Grid-Item-Square-width":768,"Grid-Item-Square-height":628,"Grid-Item-Wide":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-768x384.jpg","Grid-Item-Wide-width":768,"Grid-Item-Wide-height":384,"Grid-Item-Tall":"https:\/\/www.vccp.com\/uk\/wp-content\/uploads\/2020\/08\/Charles-Vallance-2-1600x1147-1-384x628.jpg","Grid-Item-Tall-width":307,"Grid-Item-Tall-height":502}},"meta-title":"","meta-description":"","social-media-image":false,"news_id":"191","relateditems":[{"relateditem":{"ID":634,"post_author":"1","post_date":"2020-06-24 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